This is a bike. White wood constitute all of it, the wheels is square, body seemed to fall apart – well, a little bit abstract, also good friendly posted beside a Einstein’s tip: life is like riding a bicycle, to keep balance, you must go on.
But this is not a bike. Two strings on the front to the rear of the, please hang it in the Cartier love bracelet replica neck.
This is a bird, is not abstract. Bird’s feather, a bird’s wing, the bird’s eyes, everything is lifelike. If it weren’t for sends out a huge beaks metallic simple sense, it looks just like a pigeon miniature specimen.
But this is not a specimen. Please put it in the chest.
This is an electric iron. Like most of the household type iron, it is black. But no, why is there a piece of feather on iron? Oh, this is a pair of handles, chamois package, the quality of high-grade, feel is first-class.
But this is a piece of jewelry. Please take it – on his head? On the shoulder? Or just end in hand? Where where the answer is: love.
Held at the central academy of fine art gallery, “10 years of sound,” international contemporary jewelry exhibition, similar work everywhere. 24 contemporary international jewelry artist collective appearance for the first time in China, face to face with their work in the Chinese audience on the face of confusion, meditation and curiosity. Traditional jewelry concepts were overturned thoroughly, people see the jewelry that is made by new materials: wood, nylon, sheepskin and even rice paper, and their ambiguous way of wearing.
“Jewelry should be a kind of personal life experience, it can be in high spirits can also be unhappy.” The Spanish designer Ramon purg le, (Ramon Puig Cuyas) for those who stand in his works (a set made of nickel silver and silver oxide, like a pendulum jewelry) confused before. He hopes that visitors can change a perspective of jewelry: no longer struggle with wear in which parts of the body as well as on the surface of the beauty and ugliness, and that damn “they express what?” Should be paid attention to and their extraordinary and unique properties, pay attention to the accurate and firm them as manual arts, pay attention to their “spiritual nourishment is far higher than decoration itself”.
“Jewelry to contemporary art development, already out of wealth, Cartier nail bracelet replica, luxury, durable and privilege implication, but focus on the material, form, color, and the relationship between body research.” TengFei – the exhibition’s curators, also is the central academy of fine arts professional founder of jewelry. TengFei, like the ancient jezreel, the value of contemporary jewellery is already beyond the decoration level, it like any of the categories of contemporary art, has pressed, provocative, thinking, close dialogue with The Times, it is no longer a “matter”.
TengFei engraving in 1987 graduated from the central academy of fine arts major, to Germany to study abroad in 1990. University of the arts in Berlin, she first came into contact with materials research. “Material is the basic course of art actually, today do contemporary art are involved in a variety of materials, the materials have judgment, sensitivity, aesthetic upward, have experienced a system study is very different.” She is interested in jewellery in the process of learning materials. “The greatest value of the tradition of the Chinese jewelry is hedging, decoration are still in the second, people do common jade, jade, gold jewelry, mainly based on the value of the material.” And in modern jewelry design, use and how to use what material, consider is the link between the material and material, aesthetic, and the establishment of the possibility, “the feeling is new, open a door wow it makes me feel.”
Its genre
And the name of “contemporary” under the cover of jewelry art, itself also includes its genre. Have deep traditional metalworking Italy, for example, still with formidable exquisite craft to win. Now has 70 francesco Pavan (Franceso Pavan), in the early 70 s in Europe jewelry a wave of innovation, and offer the exhibition: a new one made of gold and enamel triangle three-dimensional brooch. Convergence of the geometry fully demonstrated the contrast material and craft of uncommon.
“Pavan’s work is never in a hurry to express their shallow. He has always been a delicate and complex balance.” TengFei said, “with a conservative technique of expression to show, modern art can only be done his style and technique, he is a master of the undisputed.”
And in Germany and the Netherlands as the town of contemporary jewelry art, concept of avant-garde led the creation of artists. German designer SUSIE, marquette (Suska Mackert) jewelry creation is regarded as a “cubic centimeter of space” with great power, and she wanted to find out the boundary. She on the fingernail size small round lid inside filling some shredded, then daub on the surface of the lid is put some have all kinds of eye film. She likes materials in addition to the Cartier love ring replica cloth, paper, and a more “eccentric” photos, text, print, and even video – since they is closely related to modern society is so, why not through in the modern society with our body is relevant?
“In many people’s eyes, the jewelry is precious objects, I deliberately weaken this kind of material, conceded it is predestined friends the people can read the rich connotation.” Marquette said, “I work more focused on exploratory and nonfunctional.” She even think that, in the final work, functionality is irrelevant.
If you can’t wear, these weird art after leaving artists? TengFei said that Europe is specialising in their jewelry art gallery, and gallery, jewelry artist can be signed a contract with them, also can only work on consignment. Is located in the town of Nijmegen in the Netherlands Marzee is Europe’s biggest private modern jewelry gallery and museum, founded in 1978, now has the size of the four floors, each month 3-4 times a stylist, collection of jewelry have been stored in more than 160 solo exhibition cabinet, guests can open any drawer to watch, but it can’t take pictures.
In Munich, Germany, Schmuck international contemporary jewellery show is seen as the industry’s largest and most important exhibition. The exhibition since 1959, annual to provide opportunity for contemporary jewellery artist, will be presented to the public their works, each year attracts a large number of artists, collectors, galleries, curators and students came to the exhibition.
In 2012, graduated from central academy of fine jewelry professional Liu Xiao – one of the earliest students TengFei invited exhibition, will be the only Chinese youth jewelry artist in the exhibition. Bloom in he’s called “haggard”, silver flake and filamentous material architecture out of the modelling of the casual, natural pulp struggling to grow between cracks in the metal stent and artificial gem, present a withered bleak signs, and the outward signs of artificial gems to all can to cast a glow attention getter.
“Although we strongly with good and happy yourself, but inevitably undermine our emotional ability, this is a common degradation process. Inner spirit is becoming withered and decay, and it is this decline in precarious’ nourishing the gorgeous.” Liu Xiao explains his work. By http://www.shefind.co/